Marshall JCM 800 Reissue 2203
Price includes UK delivery. Superb image and great detail. Introduced to Sqaudron in it had a range of km. The fuze is complete with all its electronic componants and measures 40 H, 46 L, 33 W. It is made of alloy with a steel front plate and is VERY heavy.
The serial number on a Marshall amp is usually located on the back panel of the chassis but some amplifiers made between and had the number on the front panel. From July to December , the letter denoting the year was put after the serial number.
Marshall has now become a household name throughout the world as a symbol of precision acoustic engineering, to be relied on, not only for superlative sound quality, but for high performance night after night. Each amplifier chassis is constructed from a minimum of 16 S. Industrial grade cadmium passivating ensures many years of rust-free operation. All electronic components are selected and tested to out perform their required functions, and the electrical hardware, such as switches, selectors, etc.
The same applies to both the mains and output transformer, that are designed and built to withstand full output for hour upon hour. To complete the electrical specification all valves are selected from the finest grades available. Once assembled and wired, using both hand and machine techniques, each chassis is fully tested by the team of electronic engineers.
After testing and adjusting, each chassis is assembled into cabinets that are manufactured to an equal standard as the chassis.
Dating a Marshall amplifier can be a daunting task for even the most savvy of suitors — Amp Archives is here to help. From until Marshall amplifiers were identified by a four-digit sequential number inside the back panel, reportedly starting with in and reaching at the beginning of While there are serial-like numbers during this era, no standard serial number format has been identified.
The model numbers can be somewhat confusing because model numbers such as or can be mistakenly interpreted as the production year of the amplifier. Amplifiers from this era must be dated within this time span based on their features, or component manufacturers and codes, including speakers, potentiometers and transformers. JTM block logos changed to gold-plated plastic script, these are fragile and many have been replaced.
Marshall JCM Vintage Series W Tube Head | Musician’s Friend45 Day Returns · Special Financing Offers · Expert Live Chat · Free Shipping No Minimum.
Page 1 2 “How old is my Marshall? While the age of an amp has no bearing on how good or bad it sounds, it can have an impact on the selling or purchase price of a Marshall rig. Using the information in this section, you can attempt to dial in the possible dates of manufacture more closely than by sheer estimation alone.
Does it have a bar code? Yes read on No next page Marshall began using a nine-digit bar code label beginning in If your amp or speaker enclosure sports a black-ink-on-white-background barcode label on the chassis or back of the cabinet, then you know that the product was manufactured somewhere between and the present. How to read the bar code Ignore the bar code on the first line.
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The latest and greatest reissue of the original early 50s black guard Tele, replacing the American Vintage ‘ This one has all the black guard era vibe with period correct hardware and pickups, but adds modern features such as pickup switching and the modern 9. It features a solid ash body with gloss nitrocellulose finish, 21 tall vintage fret neck that’s also nitro-finished, chunky ’52 U-shaped maple neck with 9.
Marshall JCM Vintage Series W Tube Head One of the most highly respected W Marshall heads in the company’s long history. Evolving from the legendary Plexi head, it was one of the first Marshall amplifiers to feature a master volume control.
From until Marshall amplifiers were identified by a four-digit sequential number inside the back panel, reportedly starting with in and reaching at the beginning of While there are serial-like numbers during this era, no standard serial number format has been identified. The model numbers can be somewhat confusing because model numbers such as or can be mistakenly interpreted as the production year of the amplifier.
Amplifiers from this era must be dated within this time span based on their features, or component manufacturers and codes, including speakers, potentiometers and transformers. JTM block logos changed to gold-plated plastic script, these are fragile and many have been replaced. Cabinet feet are small round and gray. Handles changed to plastic with larger end cap. Power tubes are KT66, 6L6 and Single W Drake transformer, rated at ohms, part number , for W models.
Single 50W Drake output transformers rated at 3, ohms, part number , for 50W models. GZ34 rectifier no longer used.
This amp is in very good condition, fully functional, cosmetically there are some nicks and marks here and there showing history of being played and enjoyed. There was one minor mod. Someone cleanly installed an input directly to the power amp.
Apr 26, · Only one other person bid on them and I ended up buying a few things, including a nice-condition Marshall JCM combo, (model , with two channels, two Svetlana ELs and a single speaker, a Celestion GM 70). The serial number equates to
I have kept some for merely weeks and then sold them. It must follow the dynamics of your touch There must be great detail in it’s sound and have movement within the overtones and harmonics The notes must be prone to swell Quality parts must be used wherever possible exceptions for new old stock for tone is acceptable The casing should be robust The voicing should be accurate to the original amplifier that the maker is claiming it simulates.
Finally the pedal should have ‘a little Mojo’ There are pedals I could add but I found them soulless. I certainly recommend that you check them all out!!! The smallest thing in the deign of many of these pedals has made a big difference. With analog parts there is a limit to what parts and what order they can be put in.
1980s Marshall JCM 800 combo …
Ice deposited in Greenland and Antarctica entraps viable and nonviable microbes, as well as biomolecules, that become temporal atmospheric records. Five sections estimated to be , 10, , 57, , , and , years before present, ybp from the GISP2D Greenland ice core, three sections , 30, and 70, ybp from the Byrd ice core, and four sections from the Vostok 5G Antarctica ice core 10, , 57, , , and , ybp were studied by scanning electron microscopy, cultivation and rRNA gene sequencing.
Bacterial and fungal isolates were recovered from 10 of the 12 sections. The highest numbers of isolates were found in ice core sections that were deposited during times of low atmospheric CO2, low global temperatures and low levels of atmospheric dust. These results indicated that sequences from microbes common to arid and saline soils were deposited in the ice during a time of low temperature, low atmospheric CO2 and high dust levels.
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Amplifier Features , Amplifiers , , , Dual Super Lead , handwired , jcm , jcm , jcm , jmp , marshall , metal panel , shopper’s guide , silver jubilee David Szabados We love our Marshall amps! Ultimately though — use your own ears and compare. This arrangement continues today. The mark to the aluminum metal panel Marshalls also marks a significant reduction in comparative value between them and the earlier plexi-paneled Marshalls, though basically by late into early , the circuit was essentially the same.
Again, the additional gain from these amplifiers make them desirable for hard rock applications, but the distortion of course still came from both the preamp and power amp stages, creating a rich tone full of warm tube harmonics and of course a wonderful dynamic sense. Plate voltages were reduced during this early metal panel era, resulting in a circuit that was somewhat easier on the power tubes.
These amplifiers are also noted for being slightly brighter in tone then plexi amplifiers, making them sonically more aggressive. This is the opposite case with the first plexi Marshalls which are really tuned to favor PAF-style humbucking pickups that are more tonally balanced. In , the Marshalls made for export to the U. General consensus is that the EL equipped Marshalls were and are thought of more highly, with the added headroom of the not being as desired in the non-master volume Marshalls of the day.
One debate regarding the shift from handwired turret board to PCB circuits is what, if any, effect was made to the tone of the amps. Early handwired amps are certainly more valued and more expensive. Claims in favor of the handwired amps have been made that not only are they easier to service and work on certainly a fact!
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Kenny santucci dating Marshall jcm serial number dating When written alone letters are written in their isolated form. Marshall amps began featuring aluminum back panels in This sequence of a b c began in and was valid through In , the order of the serial number components changed to a c b , but the method used to determine the values for a and c remains the same.
The first part of the serial number grouping determines the model of the chassis. We have received confirmation they are not actually dating despite the seemingly Romantic instagram posts.
The name came from Marshall’s own initials and the number on the number plate of his car! Most notable in this range were the (50 Watt) and the ( Watt) series. The look of the Amp unit was also redesigned with a grille cloth replacing the vinyl in the front.
Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff.
It sounds great with either bass and guitar, providing a clean and loud tone. Works great in large club settings. Front panel has two input jacks, controls for treble boost, volume, treble expander, treble, bass expander, bass, presence, and bass boost. There is also a standby switch and corresponding green and red pilot lights.
There are no effects in this head, but stomp boxes work just fine.
Electrophonic Limited Edition available www. Please note it here for future reference: To reduce the risk of fire or electric shock, do not expose this appliance to rain or moisture.
Marshall JCM Model Review May 08, I found a used Marshall JCM 2×12 combo (Model ) on eBay a few weeks ago and have incorporated it into my rig.
ECC83 and 12AX7 are both factor Warm in character with lots detail, this tube is perfect for any hi-fi or musical instrument amp out there. The Telefunken ECC s is a special quality? Audiphiles have tube stereo gear Because this tube has a long plate structure it is not recommended for use in combo amps. The construction is different from the JJ ECC83 in that the plates are more conventional, but have a special heat dissipating fin that serves to improve efficiency and gain.
If you want that great JJ tone in a hi-gain package, then these are for you. I wonder what would happen if it was installed into a X Plexi combo I think the idea here was to have a hi gain preamp tube that didn’t distort for tube stereos for the audiophiles I don’t think this is your amp 1Way